Theo van Doesburg: ferskil tusken ferzjes

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L Bot - derby: nl:Theo van Doesburg
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In 1929 the two men reconciled when they accidentally met in a café in Paris.
Van Doesburg had other activities apart from painting and promoting De Stijl: he made efforts in [[architecture]], designing houses for artists, together with [[Georges Vantongerloo]] and he designed the decoration for the Café Aubette in [[Strasbourg]]. Together with [[El Lissitzky]] and [[Kurt Schwitters]], Van Doesburg pioneered the efforts to an International of Arts in two congresses held in [[Düsseldorf]] and Weimar, in 1922. A geometrically constructed alphabet Van Doesburg designed in 1919 has been revived in digital form as [[Architype Van Doesburg]]. This typeface anticipates similar later experimentation by [[Kurt Schwitters]] in his typeface [[Architype Schwitters]].
 
Van Doesburg also kept a link with [[Dada|DADA]], publishing the magazine ''Mécano'' under the [[heteronym]] of [[I. K. Bonset]] (possibly an anagram of "Ik ben zot", Dutch for "I am foolish"). He also published Dada [[poetry]] under the same name in De Stijl. Under a second pseudonym, [[Aldo Camini]], he published anti-philosophical prose, inspired by the [[Italy|Italian]] representative of [[Metaphysical art]], [[Carlo Carrà]]. In these works of literature, he heavily opposed [[individualism]] (and thus against the movement of the [[Tachtigers]], [[Realism (arts)|realism]], and [[psychological]] thinking. He sought for a collective experience of reality. His conception of intensity had much in common with [[Paul van Ostaijen]]'s conception of "dynamiek". He wanted to strip words of their former meaning, and give them a new meaning and power of expression. By doing this, he tried to ''evoke'' a new reality, instead of describing it.
 
===Arsjitektuer, design, en typografy===