Ofbyld:XXII.jpg
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Theo van Doesburg: Composition XXII
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| Artist |
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| Title |
Composition translate XXII |
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| Object type |
Skilderij  |
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| Sjenre |
abstract art |
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| Datum | 1 juny 1922 - 31 july 1922 | |||||||||||||||||||||||||||
| Medium | oil on canvas | |||||||||||||||||||||||||||
| Dimensions | height: 45,5 cm; width: 43,3 cm | |||||||||||||||||||||||||||
| Collection |
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| Accession number |
94 |
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| Place of creation | Weimar | |||||||||||||||||||||||||||
| Object history |
1922: acquired by Thijs Rinsema (1877-1947), Drachten, from Theo van Doesburg (1883-1931), Meudon |
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| Exhibition history |
Theo van Doesburg (?), Stedelijk Museum, Amsterdam, 2 maaie 1936–31 maaie 1936, cat. nr 52, p. 102, as Compositie, 1920, Mr. Rinsema. Konstruktivisten, Kunsthalle, Basel, 16 jannewaris 1937–14 febrewaris 1937, Cat.no. 13, as Composition, 1920. Theo van Doesburg, Van Abbemuseum, Eindhoven, 13 desimber 1968–26 jannewaris 1969, Gemeentemuseum Den Haag, De Haach, 17 febrewaris 1969–23 maart 1969, cat. nr A27, with image (A27) on p. 88, as 1920. Theo van Doesburg 1883-1931/Konstruktive Kunst, Kunsthalle Nürnberg, Neurenberch, 18 april 1969–1 juny 1969, Kunsthalle Basel, Basel, 9 augustus 1969–7 septimber 1969, cat. nr A25, ôfbylding A25 on p. XVI, as 1920. "Was die Schönheit sei, das weiss ich nicht". Künstler - Theorie - Werk. Katalog zur 2. Biennale Nürnberg 1971, Kunsthalle und Künstlerhaus, Neurenberch, 30 april 1971–1 augustus 1971, cat. nr 240. Zeitgenössische Kunst aus den Niederlanden. Aus der Sammlung des Van Abbemuseums Eindhoven, Kunsthalle Nürnberg am Marientor, Neurenberch, 10 april 1974–3 juny 1974, cat. nr 17. Tendenzen der zwanziger Jahre, 14 augustus 1977–16 oktober 1977, Neue Nationalgalerie SMPK/Akademie der Künste/Grosse Orangerie des Schloss Charlottenburg, Berlyn, Cat.no. 1/170. Origini dell'astrattismo verso altri orizzonti del reale (1885-1919), Palazzo Reale, Milaan, 18 oktober 1979–18 jannewaris 1980, ill. 533. Van Gogh bis Cobra. Holländische Malerei 1880-1950, Württembergischer Kunstverein, Stuttgart, 23 novimber 1980–18 jannewaris 1981, Rheinisches Landesmuseum, Bonn, 29 april 1981–8 juny 1981, without cat. nr , p. 269, with image on p. 168. De Stijl, 1917-1931, Visions of Utopia, Walker Art Center, Minneapolis, 31 jannewaris 1982 - 28 maart 1982, The Hirshhorn Museum and Sculpture Garden, Smithsonian Institute, Washington, 20 april 1982–27 juny 1982, cat. nr 28, as 1920-1922. De Stijl, 1917-1931, Stedelijk Museum, Amsterdam, Kröller-Müller Museum, Otterlo, 6 augustus 1982–4 oktober 1982, Cat.no. 40, as 1920 of 1922. Van Abbemuseum besøker Høvikodden, Henie Onstad Kunstsenter, Høvikodden, 19 april 1986–19 maaie 1986, ill. on the cover. Rot Gelb Blau. Die Primärfarben in der Kunst des 20. Jahrhunderts, 19 maart 1988–21 maaie 1988, Kunstmuseum, St. Gallen, 12 juny 1988–18 septimber 1988, Museum Fridericianum, Kassel, p. 179. Dada and constructivism, Seibu Museum of Art, Tokio, 8 oktober 1988–13 novimber 1988, Seibu Tsukaskin Hall, Amagasaki, 19 novimber 1988–19 desimber 1988, The Museum of Modern Art, Kamakura, 5 jannewaris 1989–12 febrewaris 1989, p. 77 (?), ill. III.2 (?). Dada y constructivismo, Museo Nacional Centro de Arte Reina Sofía, Madrid, 9 maart 1989–1 maaie 1989, p. 77 (?), ill. III.2 (?). Joaquin Torres-Garcia en Theo van Doesburg, 31 maaie 1992–23 augustus 1992, Institute of Contemporary Art, Amsterdam, no catalogue. Konstruktivistische Internationale Schöpferische Arbeitsgemeinschaft, 1922-1927. Utopien für eine europäische Kultur, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 30 maaie 1992–23 augustus 1992, Staatliche Galerie Moritzburg, Halle (Saale), 13 septimber 1992–15 novimber 1992, ISBN 3775703764, p. 334, cat. nr 24, as 1920. Moments d'abstracció, Països Baixos, 17 pintors, Espai 2 del Palau de la Virriena, Barcelona, 29 septimber 1992–27 desimber 1992, ISBN 8487342752, p. 31, cat. nr 3, as Composició XXII, 1920-1922. La beauté exacte. Art Pays-Bas XXe siècle. De Van Gogh à Mondrian, Musée d'Art Moderne de la Ville de Paris, Parys, 25 maart 1994–17 july 1994, cat. nr 8, p. 289, ill. 8, with color image on p. 244, as Composition XXII, 1920-1922. Flemish and Dutch painting from Van Gogh, Ensor, Magritte, Mondrian to contemporary artists, 16 maart 1997–13 july 1997, Palazzo Grassi, Feneesje, Cat.no. 85, as 1920. |
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| References |
Anonym, RKDimages, Art-work number 215669, as Composition XXII, juni-juli 1922, 50 × 50 cm Anonym, Vereniging Rembrandt, as Compositie XXII, 1922, 50 × 50 cm. Anonym, Bildindex der Kunst und Architektur, object 20321442, as Komposition XXII, 1920, 50 × 50 cm Portfolio, as ‘Comp. 1920 (Coll. Th. Rinsema. Drachten)’ Lijst 1, as ‘Composition XXIII ... 1921 Weimar ... (geheel vierkant) TH. RINSEMA.’ Els Hoek (ed.; 2000) Theo van Doesburg. Oeuvrecatalogus, Bussum: Uitgeverij Thot, ISBN 90-6868-255-5, p. 313-315, cat. nr 678, with color image, on p. 314, as Compositie XXII, 1922, juni-juli, 50 × 50 cm. |
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| Source/Photographer | Lempkesfabriek | |||||||||||||||||||||||||||
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| Datum/Tiid | Miniatuer | ôfmjittings | Meidogger | Opmerking | |
|---|---|---|---|---|---|
| lêste | 2 aug 2008, 01.03 | | 639 × 639 (49 KB) | Lempkesfabriek | {{Information |Description={{en|1=XXII ; Theo van Doesburg ; 1922 ; Circa 45 × 45 cm ; Eindhoven ; Van Abbemuseum}} {{nl|1= }} |Source=eigen werk (own work) |Author=Lempkesfabriek |Date=jul-2008 |Permission= |other_versions= }} { |
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