De ferzje fan 17 okt 2010 om 09.53 wizigje Swarte Kees (oerlis \| bydragen) 56.999 edits red ←Toan eardere ferskillen		De ferzje fan 18 okt 2010 om 14.52 wizigje weromsette Drewes (oerlis \| bydragen) Rjochte-útfurders, Behearders 97.648 edits stobbefisearre Neikommende ferskillen →
Rigel 1: {{~~wurk~~stobbe\|keunst}} ~~{{oersette}}~~ [[Ofbyld:Jan Bruegel d. Ä. 007.jpg\|thumb\|[[Jan Brueghel de Alde]] (1568-1625), ''~~Bouquet~~Boeket'' (1599), ~~[[Kunsthistorisches~~in ~~Museum]],~~ier ~~[[Vienna]]. Some of the earliest examples of still-life were paintings of flowers by Northern Renaissance, Dutch,~~foarbyld ~~and~~fan ~~Flemish~~in ~~painters~~stillibben.]] In '''stillibben''' is in artistike komposysje (skilderij, tekening, foto), fierwei it meast fan in (dea) foarwurp. It giet dan om objekten út de natoer sa as iten, blommen, planten, stiennen of skelpen; of troch minsken makke alledeistige dingen sa as fasen, potsjes en pansjes, munten, boeken, tabaksdoazen, ensafuorthinne. A '''still life''' is a work of [[art]] depicting mostly [[inanimate]] subject matter, typically commonplace objects which may be either natural (food, flowers, plants, rocks, or shells) or man-made (drinking glasses, books, vases, jewelry, coins, pipes, and so on) in an artificial setting. With origins in the Middle Ages and Ancient Greek/Roman art, still life [[painting]]s give the artist more leeway in the arrangement of design elements within a composition than do paintings of other types of subjects such as [[Landscape art\|landscape]] or [[portrait]]ure. Still life paintings, particularly before 1700, often contained religious and allegorical symbolism relating to the objects depicted. Some modern still life breaks the two-dimensional barrier and employs three-dimensional mixed media, and uses found objects, photography, computer graphics, as well as video and sound. De oarsprong fan it stillibben leit al yn de midsieuwen en ek yn de Grykske- en Romeinske âldheid waarden sy al makke. It stillibben joech de keunstner fan dy tiid mear frijheid fan komposysje en kleurgebrûk as yn it gefal fan in portret of in lânskip, dêr't de komposysje en kleurtoan fan fêst leit. Nei 1800 spile dit motyf hoe langer hoe minder in rol.<br> Stillibbens fan foar 1700 hawwe faak religieuze en/of allegoaryske symboalen. Doetiids ferstiene taskôgers de djippere betsjutting fan sjochtwei foarwurpen better as no. Bygelyks in ''memento mori'', troch in kombinaasje fan in bibel mei in minslike plasse ôf te byldzjen. {\| class="wikitable"

Stillibben: ferskil tusken ferzjes